Purists will argue that it’s not a patch on the source material – and that may be true – but it’s a gripping watch nonetheless. It’s a rollercoaster story that packs strong social commentary, visual flair and some powerful emotional moments, including a heartbreaking tale of persecution that will stick with you long after the credits roll. Wearing a now iconic Guy Fawkes mask to disguise his identity, the revolutionary crosses paths with Evey Hammond (Natalie Portman), who reluctantly agrees to aid him in his mission. Residents are bombarded with vitriolic propaganda as their freedoms are gradually eroded, ultimately becoming docile and submissive to the new world order – all but V (Hugo Weaving), a mysterious masked man intent on bringing down the establishment.
The Power of the Dog (2021)īased on the seminal graphic novel, V For Vendetta takes us to a dystopian future where the UK has become a totalitarian state, closed off from the rest of the world which has supposedly been ravaged by a deadly virus. Meanwhile, balancing out the blockbuster action sequences are quieter moments expanding on Peter’s personal life, introducing friends Ned (Jacob Batalon), MJ (Zendaya) and Liz (Laura Harrier), as well as Marisa Tomei in the role of his beloved Aunt May.Ī treat for Marvel fans and undoubtedly one of the best Spider-Man films ever made, Homecoming kicks off what has been a glorious new era for arguably the company’s most popular hero. The film also boasts fleeting appearances from Robert Downey Jr, who is charismatic as ever in his famous Iron Man role. Indeed, the film benefits greatly from having such a complex and engaging villain at the centre of it, with Keaton’s performance standing out as one of the best villainous performances the MCU has seen to date.
Dispensing with the origin story we all know off by heart, director Jon Watts drops us straight into an exciting Spidey story that sees the wisecracking wall-crawler face off against comic book foe The Vulture (played by Michael Keaton in his third bird-man role). Homecoming spins out of the events of Captain America: Civil War, where high school student Peter Parker became a protege of billionaire superhero Tony Stark. With Spider-Man: No Way Home now in cinemas, now is as good a time as any to revisit Tom Holland’s first solo adventure in the Marvel Cinematic Universe. Though Bullock’s character lacks nuance, the score, which comes courtesy of Hans Zimmer and David Fleming, does a good job at evoking a broader range of emotions. With few lighter moments, the film is certainly unrelenting, but if you’re up for an emotional ride, then The Unforgivable is certainly worth a watch. Vincent D’Onofrio stars as Ruth’s lawyer, while Viola Davis plays the role of his wife. Ruth sets out on a mission to reunite with her younger sister, but her plan risks being derailed when she’s hunted down by the son of the man she shot all those years ago. The plot follows the plight of Ruth Slater (Sandra Bullock), a woman released from prison after serving a sentence for murdering a police officer.
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We might be counting down to Christmas, but don’t expect a festive movie with this December debut. The Unforgivable has already gripped the nation’s imagination, storming its way to the number one position on Netflix’s top 10 list over the weekend following its release on 10th December. Many aspects of the film are taken directly from Sorrentino’s own life and as a result it is a film that feels intimate and personal, while there are several standout scenes throughout the runtime – including overt nods to master Italian filmmaker Federico Fellini.Īs the title would suggest, Argentine footballing legend Diego Maradona also has a key role to play in the narrative – although for the most part the Napoli superstar only appears in the background, as a focal point for Fabietto’s conversations with those around him. In the first half, the film sketches a very realistic and hugely enjoyable portrait of adolescence, as we get to know Fabietto, his extended family, and their various eccentricities – but in the second half, the tone changes somewhat when a tragic event casts a dark cloud over Fabietto’s life. The latest film from esteemed Italian director Paolo Sorrentino is his most autobiographical work to date – telling the story of Fabietto, a teenager growing up in Naples during the 1980s.